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020 _a9783319710396
_9978-3-319-71039-6
024 7 _a10.1007/978-3-319-71039-6
_2doi
050 4 _aQA76.9.U83
050 4 _aQA76.9.H85
072 7 _aUYZ
_2bicssc
072 7 _aCOM079010
_2bisacsh
072 7 _aUYZ
_2thema
082 0 4 _a005.437
_223
082 0 4 _a004.019
_223
100 1 _aMills, Roger.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
245 1 0 _aTele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session
_h[electronic resource] /
_cby Roger Mills.
250 _a1st ed. 2019.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Springer,
_c2019.
300 _aXXIII, 214 p. 32 illus., 23 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aSpringer Series on Cultural Computing,
_x2195-9064
505 0 _aPart 1 -- Intercultural Tele-Improvisation: Inside the Online Global jam Session -- Telematics, Art and the Evolution of Networked Music Performance -- Intercultural Tele-Improvisation: Multi-idiomatic Approaches -- Part II -- Intercultural Tele-Improvisatory Performance in Action -- Towards a Theory of Tele-Improvisatory Collaboration -- Part III -- Liminal Worlds: Presence and Performer Agency in Tele-Collaborative -- What’s that Sound? Culture, Significance and Interpretation of Electronic Sound and Noise -- Conclusion:Intercultural Tele-­‐Improvisatory Interaction: Applications and Contexts -- Appendix.
520 _aThis research monograph explores the rapidly expanding field of networked music making and the ways in which musicians of different cultures improvise together online. It draws on extensive research to uncover the creative and cognitive approaches that geographically dispersed musicians develop to interact in displaced tele-improvisatory collaboration. It presents a multimodal analysis of three tele-improvisatory performances that examine how cross-cultural musician’s express and perceive intentionality in these interactions, as well as their experiences of distributed agency and tele-presence. Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session will provide essential reading for musician’s, postgraduate students, researchers and educators, working in the areas of telematic performance, musicology, music cognition, intercultural communication, distance collaboration and learning, digital humanities, Computer Supported Cooperative Work and HCI.
650 0 _aUser interfaces (Computer systems).
650 0 _aHuman-computer interaction.
650 0 _aMusic.
650 0 _aEducation
_xData processing.
650 0 _aSocial sciences
_xData processing.
650 1 4 _aUser Interfaces and Human Computer Interaction.
650 2 4 _aMusic.
650 2 4 _aComputers and Education.
650 2 4 _aComputer Application in Social and Behavioral Sciences.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783319710389
776 0 8 _iPrinted edition:
_z9783319710402
830 0 _aSpringer Series on Cultural Computing,
_x2195-9064
856 4 0 _uhttps://doi.org/10.1007/978-3-319-71039-6
912 _aZDB-2-SCS
912 _aZDB-2-SXCS
942 _cSPRINGER
999 _c173280
_d173280