000 | 03724nam a22005895i 4500 | ||
---|---|---|---|
001 | 978-3-319-71039-6 | ||
003 | DE-He213 | ||
005 | 20240423125021.0 | ||
007 | cr nn 008mamaa | ||
008 | 190104s2019 sz | s |||| 0|eng d | ||
020 |
_a9783319710396 _9978-3-319-71039-6 |
||
024 | 7 |
_a10.1007/978-3-319-71039-6 _2doi |
|
050 | 4 | _aQA76.9.U83 | |
050 | 4 | _aQA76.9.H85 | |
072 | 7 |
_aUYZ _2bicssc |
|
072 | 7 |
_aCOM079010 _2bisacsh |
|
072 | 7 |
_aUYZ _2thema |
|
082 | 0 | 4 |
_a005.437 _223 |
082 | 0 | 4 |
_a004.019 _223 |
100 | 1 |
_aMills, Roger. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut |
|
245 | 1 | 0 |
_aTele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session _h[electronic resource] / _cby Roger Mills. |
250 | _a1st ed. 2019. | ||
264 | 1 |
_aCham : _bSpringer International Publishing : _bImprint: Springer, _c2019. |
|
300 |
_aXXIII, 214 p. 32 illus., 23 illus. in color. _bonline resource. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_atext file _bPDF _2rda |
||
490 | 1 |
_aSpringer Series on Cultural Computing, _x2195-9064 |
|
505 | 0 | _aPart 1 -- Intercultural Tele-Improvisation: Inside the Online Global jam Session -- Telematics, Art and the Evolution of Networked Music Performance -- Intercultural Tele-Improvisation: Multi-idiomatic Approaches -- Part II -- Intercultural Tele-Improvisatory Performance in Action -- Towards a Theory of Tele-Improvisatory Collaboration -- Part III -- Liminal Worlds: Presence and Performer Agency in Tele-Collaborative -- What’s that Sound? Culture, Significance and Interpretation of Electronic Sound and Noise -- Conclusion:Intercultural Tele-‐Improvisatory Interaction: Applications and Contexts -- Appendix. | |
520 | _aThis research monograph explores the rapidly expanding field of networked music making and the ways in which musicians of different cultures improvise together online. It draws on extensive research to uncover the creative and cognitive approaches that geographically dispersed musicians develop to interact in displaced tele-improvisatory collaboration. It presents a multimodal analysis of three tele-improvisatory performances that examine how cross-cultural musician’s express and perceive intentionality in these interactions, as well as their experiences of distributed agency and tele-presence. Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session will provide essential reading for musician’s, postgraduate students, researchers and educators, working in the areas of telematic performance, musicology, music cognition, intercultural communication, distance collaboration and learning, digital humanities, Computer Supported Cooperative Work and HCI. | ||
650 | 0 | _aUser interfaces (Computer systems). | |
650 | 0 | _aHuman-computer interaction. | |
650 | 0 | _aMusic. | |
650 | 0 |
_aEducation _xData processing. |
|
650 | 0 |
_aSocial sciences _xData processing. |
|
650 | 1 | 4 | _aUser Interfaces and Human Computer Interaction. |
650 | 2 | 4 | _aMusic. |
650 | 2 | 4 | _aComputers and Education. |
650 | 2 | 4 | _aComputer Application in Social and Behavioral Sciences. |
710 | 2 | _aSpringerLink (Online service) | |
773 | 0 | _tSpringer Nature eBook | |
776 | 0 | 8 |
_iPrinted edition: _z9783319710389 |
776 | 0 | 8 |
_iPrinted edition: _z9783319710402 |
830 | 0 |
_aSpringer Series on Cultural Computing, _x2195-9064 |
|
856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-319-71039-6 |
912 | _aZDB-2-SCS | ||
912 | _aZDB-2-SXCS | ||
942 | _cSPRINGER | ||
999 |
_c173280 _d173280 |