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020 _a9783031109607
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024 7 _a10.1007/978-3-031-10960-7
_2doi
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050 4 _aQA76.9.H85
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245 1 4 _aThe Language of Creative AI
_h[electronic resource] :
_bPractices, Aesthetics and Structures /
_cedited by Craig Vear, Fabrizio Poltronieri.
250 _a1st ed. 2022.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Springer,
_c2022.
300 _aXXIX, 276 p. 96 illus., 56 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aSpringer Series on Cultural Computing,
_x2195-9064
505 0 _aIntroduction -- Part I: Aesthetics and contexts -- On purpose: An enquiry into the possible roles of the computer in art -- Towards a symbiotic future: Art and creative AI -- Artificial intelligence and creativity under interrogation -- AI, creativity and art -- The ethics of creative AI -- Part II: Structures and frameworks -- Ecosystemic thinking: Beyond human narcissism in AI -- Embodied AI and musicking robotics -- Latent spaces: A creative approach -- Intersections of living and machine agencies: Possibilities for creative AI -- Conformed thoughts, representational systems, and creative procedures -- Part III: Practices -- Creative AI, embodiment, and performance -- Musebots and I: Collaborating with creative systems -- Composition with computer models of the brain: An alternative approach to music with artificial intelligence -- Tuning topological morphologies: Creative processes of natural and artificial cognitive systems -- Sketching symbiosis: Towards the development of relational systems.
520 _aCreative AI defines art and media practices that have AI embedded into the process of creation, but also encompass novel AI approaches in the realisation and experience of such work, e.g. robotic art, distributed AI artworks across locations, AI performers, artificial musicians, synthetic images generated by neural networks, AI authors and journalist bots. This book builds on the discourse of AI and creativity and extends the notion of embedded and co-operative creativity with intelligent software. It does so through a human-centred approach in which AI is empowered to make the human experience more creative. It presents ways-of-thinking and doing by the creators themselves so as to add to the ongoing discussion of AI and creativity at a time when the field needs to expand its thinking. This will avoid over-academization of this emerging field, and help counter engrained prejudice and bias. The Language of Creative AI contains technical descriptions, theoretical frameworks, philosophical concepts and practice-based case studies. It is a compendium of thinking around creative AI for technologists, human-computer interaction researchers and artists who are wishing to explore the creative potential of AI.
650 0 _aUser interfaces (Computer systems).
650 0 _aHuman-computer interaction.
650 0 _aArtificial intelligence.
650 0 _aSocial sciences
_xData processing.
650 0 _aMachine learning.
650 1 4 _aUser Interfaces and Human Computer Interaction.
650 2 4 _aArtificial Intelligence.
650 2 4 _aComputer Application in Social and Behavioral Sciences.
650 2 4 _aMachine Learning.
700 1 _aVear, Craig.
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
700 1 _aPoltronieri, Fabrizio.
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031109591
776 0 8 _iPrinted edition:
_z9783031109614
776 0 8 _iPrinted edition:
_z9783031109621
830 0 _aSpringer Series on Cultural Computing,
_x2195-9064
856 4 0 _uhttps://doi.org/10.1007/978-3-031-10960-7
912 _aZDB-2-SCS
912 _aZDB-2-SXCS
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