The history of motion graphics : from avant-garde to industry in the United States

By:

Betancourt, Michael

Material type: Text

9781434441508

Subject(s):

DDC classification:

777 BET-H

Contents:

1. Prehistory Synaesthesia Color music Color music inventors Visual music Kinetic typography 2. Inventing the abstract film The futurist abstract films (1909-1912) Léopold Survage (1879-1968) The Dada/Constructivist cinema (1919-1929) Man Ray's Le retour à la raison (1923) Murphy & Léger's Ballet mécanique (1924) Walther Ruttmann (1887-1941) Viking Eggeling (1880-1925) Hans Richter (1888-1976) Marcel Duchamp's Anémic cinéma (1926) Laszlo Moholy-Nagy (1895-1946) Towards a universal language of media 3. The sound film Montage Oskar Fischinger (1900-1967) Mary Ellen Bute (1906-1983) Len Lye (1901-1980) Norman McLaren (1914-1987) 4. Modernist television John (1917-1995) & James (1921-1982) Whitney Harry Everett Smith (1923-1991) Avant-garde film in parallax American modernism The rise of post-war abstraction Design on TV The "television project" Commercials & the experimental film Mainstreaming the avant-garde 5. Museum validation Intermedia The Vortex concerts 'Structural' film studies The invention of video art Signal/image processing 6. Inventing computer art The computer film Programmed animations Stan VanDerBeek (1927-1984) Lillian Schwartz (1927- ) John Whitney's 'Digital harmony' Media convergence Digital video 7. Feature film title design The early (experimental) period The studio period The designer period The logo period The contemporary designer period 8. TV & video game title design Live TV Broadcast/network TV Cable TV Internet Video game titles Video game end titles The context of title design 9. The continuing synaesthetic tradition Stan Brakhage (1933-2003) Dennis H. Miller The digital experiment Commercial synaesthesia.

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode	Item holds	Course reserves
Books	IIITD Reference	Design	REF 777 BET-H (Browse shelf(Opens below))	Not for loan		012088		Introduction to 2D Animation WNT

Total holds: 0

Includes bibliographical references and index

1. Prehistory Synaesthesia Color music Color music inventors Visual music Kinetic typography
2. Inventing the abstract film The futurist abstract films (1909-1912) Léopold Survage (1879-1968) The Dada/Constructivist cinema (1919-1929) Man Ray's Le retour à la raison (1923) Murphy & Léger's Ballet mécanique (1924) Walther Ruttmann (1887-1941) Viking Eggeling (1880-1925) Hans Richter (1888-1976) Marcel Duchamp's Anémic cinéma (1926) Laszlo Moholy-Nagy (1895-1946) Towards a universal language of media
3. The sound film Montage Oskar Fischinger (1900-1967) Mary Ellen Bute (1906-1983) Len Lye (1901-1980) Norman McLaren (1914-1987)
4. Modernist television John (1917-1995) & James (1921-1982) Whitney Harry Everett Smith (1923-1991) Avant-garde film in parallax American modernism The rise of post-war abstraction Design on TV The "television project" Commercials & the experimental film Mainstreaming the avant-garde
5. Museum validation Intermedia The Vortex concerts 'Structural' film studies The invention of video art Signal/image processing
6. Inventing computer art The computer film Programmed animations Stan VanDerBeek (1927-1984) Lillian Schwartz (1927- ) John Whitney's 'Digital harmony' Media convergence Digital video
7. Feature film title design The early (experimental) period The studio period The designer period The logo period The contemporary designer period
8. TV & video game title design Live TV Broadcast/network TV Cable TV Internet Video game titles Video game end titles The context of title design
9. The continuing synaesthetic tradition Stan Brakhage (1933-2003) Dennis H. Miller The digital experiment Commercial synaesthesia.

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