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Computer Music Modeling and Retrieval [electronic resource] : International Symposium, CMMR 2003, Montpellier, France, May 26-27, 2003, Revised Papers /

Contributor(s): Material type: TextTextSeries: Lecture Notes in Computer Science ; 2771Publisher: Berlin, Heidelberg : Springer Berlin Heidelberg : Imprint: Springer, 2004Edition: 1st ed. 2004Description: X, 254 p. online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783540399001
Subject(s): Additional physical formats: Printed edition:: No title; Printed edition:: No titleDDC classification:
  • 621.382 23
LOC classification:
  • TK5102.9
Online resources:
Contents:
Some Projects and Reflections on Algorithmic Music -- Real-Time Beat EstimationUsing Feature Extraction -- Towards a General Architecture for Musical Archive Information Systems -- The Study of Musical Scales in Central Africa: The Use of Interactive Experimental Methods -- Evolving Automatically High-Level Music Descriptors from Acoustic Signals -- ‘Ambiguous Live’ – Exploring Collaborative, Dynamic Control of MIDI Sequencers -- Characterization of Musical Performance Using Physical Sound Synthesis Models -- Conserving an Ancient Art of Music: Making SID Tunes Editable -- “GMU” – An Integrated Microsound Synthesis System -- What Are We Looking for? -- Extraction of Structural Patterns in Popular Melodies -- Musical Pattern Extraction Using Genetic Algorithms -- Automatic Extraction of Approximate Repetitions in Polyphonic Midi Files Based on Perceptive Criteria -- Deriving Musical Structures from Signal Analysis for Music Audio Summary Generation: “Sequence” and “State” Approach -- Musical Style Classification from Symbolic Data: A Two-Styles Case Study -- FMF(Fast Melody Finder): A Web-Based Music Retrieval System -- The Representation Levels of Music Information -- “Leçons”: An Approach to a System for Machine Learning, Improvisation and Musical Performance -- About the Role of Mapping in Gesture-Controlled Live Computer Music -- Designing Musical Interfaces with Composition in Mind.
In: Springer Nature eBook
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Some Projects and Reflections on Algorithmic Music -- Real-Time Beat EstimationUsing Feature Extraction -- Towards a General Architecture for Musical Archive Information Systems -- The Study of Musical Scales in Central Africa: The Use of Interactive Experimental Methods -- Evolving Automatically High-Level Music Descriptors from Acoustic Signals -- ‘Ambiguous Live’ – Exploring Collaborative, Dynamic Control of MIDI Sequencers -- Characterization of Musical Performance Using Physical Sound Synthesis Models -- Conserving an Ancient Art of Music: Making SID Tunes Editable -- “GMU” – An Integrated Microsound Synthesis System -- What Are We Looking for? -- Extraction of Structural Patterns in Popular Melodies -- Musical Pattern Extraction Using Genetic Algorithms -- Automatic Extraction of Approximate Repetitions in Polyphonic Midi Files Based on Perceptive Criteria -- Deriving Musical Structures from Signal Analysis for Music Audio Summary Generation: “Sequence” and “State” Approach -- Musical Style Classification from Symbolic Data: A Two-Styles Case Study -- FMF(Fast Melody Finder): A Web-Based Music Retrieval System -- The Representation Levels of Music Information -- “Leçons”: An Approach to a System for Machine Learning, Improvisation and Musical Performance -- About the Role of Mapping in Gesture-Controlled Live Computer Music -- Designing Musical Interfaces with Composition in Mind.

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