Music Representation and Transformation in Software (Record no. 178993)

MARC details
000 -LEADER
fixed length control field 04505nam a22005055i 4500
001 - CONTROL NUMBER
control field 978-3-030-97472-5
003 - CONTROL NUMBER IDENTIFIER
control field DE-He213
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240423125531.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783030974725
-- 978-3-030-97472-5
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1007/978-3-030-97472-5
Source of number or code doi
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number QA76.758
072 #7 - SUBJECT CATEGORY CODE
Subject category code UMZ
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code COM051230
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code UMZ
Source thema
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 005.1
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Pazel, Donald P.
Relator term author.
Relator code aut
-- http://id.loc.gov/vocabulary/relators/aut
245 10 - TITLE STATEMENT
Title Music Representation and Transformation in Software
Medium [electronic resource] :
Remainder of title Structure and Algorithms in Python /
Statement of responsibility, etc by Donald P. Pazel.
250 ## - EDITION STATEMENT
Edition statement 1st ed. 2022.
264 #1 -
-- Cham :
-- Springer International Publishing :
-- Imprint: Springer,
-- 2022.
300 ## - PHYSICAL DESCRIPTION
Extent XX, 333 p. 204 illus., 27 illus. in color.
Other physical details online resource.
336 ## -
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337 ## -
-- computer
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338 ## -
-- online resource
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505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Part 1: Representation -- 1. Software Modeling and Object-Oriented Design -- 2. The Chromatic Scale and the Diatonic Foundation -- 3. Intervals -- 4. Modality, Tonality, and Scales -- 5. Time in Music -- 6. The Note and Note Aggregates -- 7. Chords -- 8. Instruments -- 9. Score Representation -- 10. Rendering Score to Midi -- 11. Variable Dynamics and Tempo -- 12. Further Representations -- Part 2: Music Transformations -- 13. An Introduction to Music Transformations -- 14. A Constraint Engine for Pitch Assignment -- 15. Shift: A Transform fKey Change -- 16. Reflection: A Transform for Melodic Inversion -- 17. Reshape: A Transform for Melodic Shaping -- 18. Harmonic Transcription: Preserving Melody Over Harmonic Change -- 19. Retrograde: Reversing a Melody -- 20. Melodic Search and Pattern Substitution -- 21 Dilation: Musical Expansion and Contraction -- 22. The Step Shift Transform andSequences -- 23. Final Thoughts.
520 ## - SUMMARY, ETC.
Summary, etc This book takes the reader on a journey through music concepts in an organized approach that develops music essentials from the concepts of tone, pitch, and time, through notes, intervals, chords, and scores while at the same time interpreting these elements as software artifacts. Close attention is paid to the organization of and relationships amongst these concepts and their representation as Python classes and objects, to learn about music from a software design viewpoint. The first part of the book focuses on software representation of the main elements found in music theory. Its objective is to provide direction to students on how to build a music software model from basic concepts and grow towards more complex concepts. Chapter by chapter, music concepts are introduced, and each is broken apart into related data properties and methods with the goal that by the end of this section, the reader will have developed a relatively complete library of music elements in software. The second part takes on the task of applying that foundation to the subject of “music transformations”. The focus is on localized transformations, that is, transformations isolated to a few measures. After a general introduction, the discussion includes topics of pitch assignment, key change, melodic inversion, melodic shaping, harmonic transcription, retrograde, melodic search and dilation. This textbook is designed as a principal or supplemental source for computer science, software engineering, and programming courses. It can also be used as a main textbook for advanced computer music courses or electronic music courses. Computer music software professionals interested in learning how to model the complexities of music theory artifacts, or music students who want to learn advanced programming techniques in their domain will also find the book helpful.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Software engineering.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Music.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Digital humanities.
650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Software Engineering.
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Music.
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Digital Humanities.
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element SpringerLink (Online service)
773 0# - HOST ITEM ENTRY
Title Springer Nature eBook
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Printed edition:
International Standard Book Number 9783030974718
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Printed edition:
International Standard Book Number 9783030974732
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://doi.org/10.1007/978-3-030-97472-5">https://doi.org/10.1007/978-3-030-97472-5</a>
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942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type eBooks-CSE-Springer

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