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Music, Gestalt, and Computing (Record no. 14384)

000 -LEADER
fixed length control field 05253nam a22005895i 4500
001 - CONTROL NUMBER
control field 978-3-540-69591-2
003 - CONTROL NUMBER IDENTIFIER
control field DE-He213
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20170515111449.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr nn 008mamaa
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 121227s1997 gw | s |||| 0|eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783540695912
-- 978-3-540-69591-2
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1007/BFb0034102
Source of number or code doi
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number Q334-342
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number TJ210.2-211.495
072 #7 - SUBJECT CATEGORY CODE
Subject category code UYQ
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code TJFM1
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code COM004000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 006.3
Edition number 23
245 10 - TITLE STATEMENT
Title Music, Gestalt, and Computing
Medium [electronic resource] :
Remainder of title Studies in Cognitive and Systematic Musicology /
Statement of responsibility, etc edited by Marc Leman.
264 #1 -
-- Berlin, Heidelberg :
-- Springer Berlin Heidelberg,
-- 1997.
300 ## - PHYSICAL DESCRIPTION
Extent X, 530 p.
Other physical details online resource.
336 ## -
-- text
-- txt
-- rdacontent
337 ## -
-- computer
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-- rdamedia
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-- online resource
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-- rdacarrier
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-- text file
-- PDF
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490 1# - SERIES STATEMENT
Series statement Lecture Notes in Computer Science, Lecture Notes in Artifical Intelligence,
International Standard Serial Number 0302-9743 ;
Volume number/sequential designation 1317
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Origin and nature of cognitive and systematic musicology: An introduction -- Systematic, cognitive and historical approaches in musicology -- Empiricism, gestalt qualities, and determination of style: Some remarks concerning the relationship of Guido Adler to Richard Wallaschek, Alexius Meinong, Christian von Ehrenfels, and Robert Lach -- Gestalt concepts and music: Limitations and possibilities -- Logic, gestalt theory, and neural computation in research on auditory perceptual organization -- Knowledge in music theory by shapes of musical objects and sound-producing actions -- Statistical gestalts — Perceptible features in serial music -- “Verschmelzung”, tonal fusion, and consonance: Carl Stumpf revisited -- Schema and gestalt: Testing the hypothesis of psychoneural isomorphism by computer simulation -- Self-organizing neural nets and the perceptual origin of the circle of fifths -- A model of the perceptual root(s) of a chord accounting for voicing and prevailing tonality -- ‘Good’, ‘rair’, and ‘bad’ chord progressions: A regression-analysis of some psychological chord progression data obtained in an experiment by J. Bharucha and C. Krumhansl -- Problems of shape and background in sounds with inharmonic spectra -- A method of analysing harmony, based on interval patterns or “Gestalten” -- Neural network models for the study of post-tonal music -- Tempo relations: Is there a psychological basis for proportional tempo theory? -- A framework for the subsymbolic description of meter -- Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface -- Effects of perceptual organization and musical form on melodic expectancies -- Continuations as completions: Studying melodic expectation in the creative microdomain Seek Well -- Optimizing self-organizing timbre maps: Two approaches -- Towards a more general understanding of the nasality phenomenon -- Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research -- Cross-synthesis using interverted principal harmonic sub-spaces -- Gestalt phenomena in musical texture -- Technology of interpretation and expressive pulses -- Intonational protention in the performance of melodic octaves on the violin -- Sonological analysis of clarinet expressivity -- Perceptual analysis of the musical expressive intention in a clarinet performance -- Singing, mind and brain — Unit pulse, rhythm, emotion and expression -- Emulating gestalt mechanisms by combining symbolic and subsymbolic information processing procedures -- Interactive computer music systems and concepts of Gestalt -- Gestalt-based composition and performance in multimodal environments -- List of sound examples on the CD.
520 ## - SUMMARY, ETC.
Summary, etc This book presents a coherent state-of-the-art survey on the area of systematic and cognitive musicology which has enjoyed dynamic growth now for many years. It is devoted to exploring the relationships between acoustics, human information processing, and culture as well as to methodological issues raised by the widespread use of computers as a powerful tool for theory construction, theory testing, and the manipulation of musical information or any kind of data manipulation related to music.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Computer science.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Multimedia information systems.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Artificial intelligence.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Pattern recognition.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Computers and civilization.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Acoustics.
650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Computer Science.
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Artificial Intelligence (incl. Robotics).
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Computers and Society.
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Multimedia Information Systems.
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Acoustics.
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Pattern Recognition.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Leman, Marc.
Relator term editor.
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element SpringerLink (Online service)
773 0# - HOST ITEM ENTRY
Title Springer eBooks
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Printed edition:
International Standard Book Number 9783540635260
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Lecture Notes in Computer Science, Lecture Notes in Artifical Intelligence,
-- 0302-9743 ;
Volume number/sequential designation 1317
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier http://dx.doi.org/10.1007/BFb0034102
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942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type e-Book

No items available.


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